Photo of Lopez Sea Creatures by Judith Ames
Judith Ames School of Fish cabinet
Photo of Madrona Buffet by Judith Ames
Photo of Salmon and Kelp DVD Cabinet  by Judith Ames
Photo of Kelp Demi Lune Table  by Judith Ames
Photo of Cloud Chair by Judith Ames
Photo of Vinca Cabinet  by Judith Ames
Photo of Kelp End Tables  by Judith Ames
Photo of Feinberg Buffet by Judith Ames
Lopez Chair in Cherry and Maple

Pages

Judith Ames
Photo of Judith Ames

My interest in art and design began at a young age. The New England homes of my parents and grandparents contained examples of early American and European furniture. As a young person, art was one of my strongest interests. I spent long hours engrossed in drawing and building imaginary worlds. In school and on my own time I sculpted and studied the works of Rodin, Matisse, the Fauvists, natural objects, and favorite architectural pieces. While at Harvard and Colorado College (BA 1975), my academic classes were in philosophy, economics, and political science. Later studies led me to furniture makers Sam Maloof and Art Carpenter at Anderson Ranch Arts Center in Aspen, Colorado, as well as classes in joinery, drafting, and figure drawing at various other institutions.  

Having considered pursuing a degree in architecture right out of college, I decided to start instead with a few years of practical experience. I found work in a cabinet shop and discovered the work to be interesting in its own right. I set up shop with a friend and commenced the journey of learning to run a business and manage construction. After a number of years my love of drawing led me from cabinetry to the making of carvings and inlays in entry doors and cases. The images were of animal and bird forms arcing around one another. In looking back I see the same fascination in the interplay of curved lines that has guided me in the subsequent years of my current furniture business.

As I look back I realize that I grew up surrounded by treasured objects. Most of the things around me, be they letter openers or vases, had a story and a meaning. They had been handed down by a relative, made by a special person, or purchased in a special place. In our work today, the challenges are ongoing as we seek precision and efficiency in the processes of construction and grace and comfort in the look and function of a piece, which we hope will in its turn be treasured.

Press

Title Source Online version
Studio furniture-makers transcend nature, one unique piece at a time The Seattle Times, December 7, 2008 Link to article
Pro Portfolio: Hank Holzer and Judith Ames: Labor of Love Fine Woodworking, July 29, 2009 Link to article
New Beauty Luxe Pacific Northwest edition summer 2012, June 3, 2012 Link to article

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